
In 1963, Morris Graves, a famous abstract painter from the US, saw Gaitonde’s work during a trip to India, and was heavily impressed.
He immediately sent a letter, external to Dan and Marian Johnson of the Willard Gallery in New York, describing him as “one of the finest” painters he had ever seen.
“He’s as fine – or superb – as Mark Rothko at his best and will be a world-known painter one of these days,” Graves wrote.
“He is an abstract painter with something unspeakably beautiful and clean. They are the most beautiful landscapes of the mind plus light.”
In 1964, Gaitonde moved to New York after getting the Rockefeller Fellowship. The next two years were a formative phase in his career as the young artist got a chance to meet American modern artists and see their works, which further developed his style.
In 1971, Gaitonde received the Padma Shri, the fourth-highest civilian award in India, for his outstanding contribution to art.
But despite his growing fame, he became increasingly withdrawn in the coming years.
His disciple and renowned artist Laxman Shreshtha recounts in Naik’s book how MF Husain would often try to visit Gaitonde at his Delhi residence.
“If Gaitonde didn’t want to meet anyone, he would not open the door, not even for Husain who would sketch something on the door and go. That was Husain’s way of saying ‘I had dropped by’.”
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