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House of the Dragon finale: ‘It’s huge to be dressing the Dragon’

In season two, the houses have separated, “so there’s a natural reason to redesign quite a lot of the principle characters”, Caroline explained.

Her research spanned “thousands of years of history” as she drew inspiration from cultures including the Roman and Byzantine Empires and the Mayans.

“I took all this reference and sort of divvied it up in to what aesthetically worked for each house,” she said.

“For example, the Targaryen look, it’s sort of brutalist in style, in terms of it’s adornment and embroidery, it’s more abstract, whereas the folks at Kings Landing are more naturalistic.”

With a team of up to 300 people, costumes are painstakingly dyed, printed and decorated, often taking months to complete.


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